Frank
Lloyd Wright | Architect
One of America's most famous architects, Wright built
only one home on Long Island, the 1938 Rehbuhn House
in Great Neck, a wood, brick and glass house in the
style of his early Prairie houses. But his highly original
designs incorporating flowing interior space, long horizontal
planes, flattened roofs, an interplay of geometric forms
replacing an emphasis on the wall, were influential
in furthering modernist trends in residential design
on Long Island as elsewhere.
Born
in Wisconsin in 1867, he did early and groundbreaking
work in Chicago and its suburbs, especially Oak Park,
where he lived. His prairie house style was exemplified
by the 1909 Robie House of Chicago. Among his most famous
commissions were Falling Water, a home in Bear Run,
Pa., of 1935, and the Guggenheim Museum in Manhattan
in 1959. He died in 1959 at age 92.
Kalman
Klein and David Teicholz | Builders
Kalman Klein and his late partner, David Teicholz, may
not be famous but are representative of the builders
who helped shape Long Island's suburbs. They began building
on Long Island in 1937 in Franklin Square, where they
hired a man with a horse and a scoop (a plow-like shovel)
to dig the basements of their first three brick capes.
They then bought a succession of farms and a golf course
near the Queens line in New Hyde Park, where in the
the '30s and '40s they built several thousand houses
and some shopping centers. Houses there sold for $5,000,
with payments of $36.98 a month. The partners went on
to build, from the late '40s through the early '60s,
almost 4,000 ranches, splits and colonials in East Meadow,
Plainview and Roslyn's Lakeville Estates.
Klein,
who turns 92 in January, was trained as a draftsman
at Cooper Union and worked for state and city agencies
before launching the business. He said he believes he
was among the first to build split-levels on Long Island,
and credits New Deal housing policies such as federally
insured mortgages with making the postwar housing boom
possible.
Richard
Meier | Architect
Born in Newark in 1934, Meier received a degree in architecture
in 1957 and worked for two other architectural firms
before striking out on his own in 1963. He quickly met
with success, winning numerous awards and competitions
for excellence in residential architecture, culminating
in the prestigious Pritzker Architecture Prize in 1984.
He became known for boldly designed, vertically massed
buildings painted stark white, in contrast to the natural
surroundings. His houses in the Hamptons - influential
though few in number -- were in the spirit of the abstract,
geometric and sculptural forms that now dot the former
farm fields.
His
first commission was the Lambert Beach House on Fire
Island in 1962, and he has designed houses in East Hampton,
Old Westbury and Sands Point.
Morris
Sosnow | Builder
Sosnow and his partner, Leonard Schwartz, founded their
company, Birchwood Homes, in 1946 to take advantage
of federally backed mortgages, newly available funds
for construction and a huge demand for housing for returning
veterans. Since then, they have built tens of thousands
of middle-class, affordable houses on the Island, including
their most ambitious project: 2,200 houses in Jericho
that turned a little-populated area into a thriving
community. They built capes, splits and ranches from
New Hyde Park to Mineola, East Meadow, Westbury, Syosset,
Woodbury and Plainview out to Oakdale, Holtsville, Coram,
Farmingville, Medford, Commack and Holbrook. They were
among the first to build large communities of condos
and townhouses around nine-hole golf courses here. The
firm - still family-run, and modestly scaled compared
with today's national building corporations - is still
active on Long Island, and in Maryland and Virginia.
Andrew
Monaco | Builder
Monaco started out as a salesman for Morris
Sosnow, among others, in the late 1940s and '50s before
going into business for himself in the '60s as the building
boom picked up steam in Suffolk County. He and his partner,
Robert Dyckes, were perhaps typical of the contractors
and builders working then: finding available land, building
up to 100 houses a year, offering designs that were
readily marketed. They eventually built close to 1,500
houses from Hauppauge to South Setauket, Stony Brook,
Selden, Centereach, Islip and Patchogue. Monaco, now
retired, was president of the Long Island Builders Institute
and the New York State Builders Association. His sons,
Andrew Jr. and Anthony, began building on Long Island
in the 1970s, and have built Springbriar homes in Huntington,
Sachem, Lake Ronkonkama, Smithtown, Farmingville and
other locales.
Robert
A.M. Stern | Architect
Stern, well known as a lecturer, author and critic,
advocates a style of architecture with links to a historic
and symbolic context. Where many of his contemporaries
were reveling in the modernist credo of pure form and
bold geometries, Stern defended the use of ornament
and traditional materials and shapes. Rather than sleek
wood siding, Stern chose shingles. Rather than flat
roof lines, he used gables, and instead of flat stark
walls and irregular expanses of glass, he used porches,
columns and paned windows. Yet he designed homes with
enough idiosyncrasy to give a distinctly modern feel,
and has completed numerous commissions on the East End.
Born in New York City in 1939, Stern was educated at
Columbia University and the Yale School of Architecture.
Charles
Gwathmey | Architect
Charles Gwathmey's first commission after graduating
from the Yale University School of Architecture and
completing fellowships in Europe, was a house on Fire
Island in 1964. He and his then-partner, Richard Henderson,
went on to complete a number of other commissions on
Long Island, including a vacation house with guesthouse-studio
for Gwathmey's parents in Amagansett in 1965. That house
- showing the geometric interplay of flat surface and
window expanse that he went on to develop with great
complexity in later commissions -- won acclaim and wide
imitation. Later commissions on the East End, including
Francois de Menil's mansion in East Hampton, Toad Hall,
in 1979, helped establish that area as a hotbed of innovative
and aggressively attention-getting design. Gwathmey,
in partnership with Robert Siegel since 1971, practices
a highly geometric and abstract approach, combined with
distinctive American elements of scale, spatial juxtaposition
and material.
Gwathmey
was born in North Carolina in 1938, graduated from the
High School of Music and Art in New York City in 1956,
and studied architecture at the University of Pennsylvania
and Yale. He's built homes, offices and institutional
projects all over the country, and in 1985 won the commission
to build the addition to the Solomon R. Guggenheim Museum
in New York City.
Delano
& Aldrich | Architects
William Adams Delano and Chester Holmes Aldrich were
among the most prominent and respected of architects
designing homes for the wealthy in the first four decades
of this century. They worked throughout the United States,
but the main body of their work was here, for Astors
and Rockefellers, Vanderbilts and Whitneys.
Their
designs were praised for what some have called a conservative
modernism, showing some European influences, but making
them distinctly their own. Their designs showed a tight
organization and a geometric massing that simplified
form. They were known for the care with which they placed
their buildings in the landscape. Although Oheka in
Cold Spring Harbor was their largest residential commission,
it was not typical of their designs in its size and
ornate style.